Monday, June 15, 2009

Espresso Thyself



Since this blog began as a platform for me to review coffee from my travels, I figured I should post something about my new espresso machine. It's the Rocket Giotto, from Rocket Espresso of Milan. The name is appropriate; it looks like a small spacecraft!

Rocket Espresso began in the 1970's as ECM (Espresso Company Milano) when two business partners, Friedrich Berenbruch and Ennio Berti, ventured into the fabrication and production of commercial grade machines for home use. They created the Giotto, which remains a classic today. (For more info, go to rocket-espresso.it).

During a recent week in Wilmington, Delaware while the quartet was performing and recording a cd with the Delaware Symphony, I discovered that their music director, David Amado, with whom we've collaborated in years past, was a fellow coffee enthusiast. No, actually, enthusiast isn't the word; he's an espresso maestro. He roasts his own beans at home, and has as much or more knowledge about espresso brewing than any coffee specialists you can find online. Just one look at his machine of choice, the Expobar Brewtus, says it all.

He introduced me to the bottomless portafilter, an object of true wonder. A portafilter is that metal basket with a handle you see baristas filling up with ground coffee, extracting a shot, and then banging out the used grounds. This portafilter has no spout; the bottom has been hacked off to expose the bottom of the basket. Extracting espresso through this produces the thickest, richest shot of espresso, finishing with a trail of crema the likes of which fantasies are made of.



The machine was waiting for me when I got home from tour, so I've only had it a few days. I'll have to increase my skills at it, but I trust that the resulting golden brown cups of distilled coffee essence will only get better and better!



According to the Law of Attraction...

we don't attract what we desire, 

we attract what we are.

Thursday, April 2, 2009

Saturday, March 21, 2009

John Cleese joins the LAGQ on March 25th

In an evening of something completely different, actor/comedian John Cleese will join the LAGQ as narrator in "The Ingenious Gentleman Don Quixote - Words and Music from the Time of Cervantes". Taking place at the Santa Barbara Guitar Festival on March 25th at the Lobero Theatre, it is one event in a stellar guitaristic lineup from March 22-29.

Living in Santa Barbara, CA, and having attended performances there by the LAGQ, Cleese met the quartet and, after realizing they had been followers of his work for a long time, they developed a mutual fan-ship. 

In this unique production, Cleese will bring to life a dozen characters from Cervantes' classic tale, enlivened by music from the period by the likes of Milan, Mudarra, Narvaez, de Encina, Ortiz, etc, which was researched in depth and with great care by Bill Kanengiser. He also adopted the script, condensing the series of 3 books into a performance of 65 minutes.

If you're in the area next week, come on by! Follow the link below for all information.


Friday, March 20, 2009

LIFE ON THE ROAD volume one

above:  John in San Antonio, TX.
above:  Odair playing a unique Humphrey guitar, San Antonio hotel lobby
above:  OK, do you actually think I'm drinking coffee outta this? Come on now...
above:  Trapped in the Chicago airport...again.
      above:   Tour van loaded, and it's off...to somewhere else.

LIFE ON THE ROAD volume two

above: Paul O'dette, Tania Chagnot, Ana Vidovic, Paris cafe
above:  Isabelle, Guitarreria proprietor, and Paris' most hospitable hostess
above:  After masterclass in Mons; Fa and Odair.  
above:  Celso Machado giving a percussion lesson
above:  Holiday cheer at Les Galleries Lafayette

LIFE ON THE ROAD volume three



above:  Guitarist gathering place, Paris
above:  The streets of San Francisco
above:  Writer's cramp in Tokyo
above:  Andy warping space briefly, allowing me a unique shot.
above:  Bill backstage in Tokyo

Thursday, February 12, 2009

Two Realizations


Thoughts         
become               
things.

ººººººººººººººººººººººººººººººº

Act as though you are, and you will be.

Sergio Assad's "Interchange for 4 guitars and orchestra"

Backstage with, left to right: Matt Dunne; J. Dearman; B. Kanengiser; Sergio Assad; M. Greif; Scott T.; Odair Assad

On February 6th and 7th, we (LAGQ) gave the world-premiere performances of  Sergio Assad's latest work, "Interchange" for guitar quartet and orchestra, along with the San Antonio Symphony under the direction of Gregory Vajda. The orchestra was stellar and the performances went extremely well. We're very pleased about that, to say the least. It took a lot of work to get the piece together; and the piece, in fact, was years in the making itself, having first approached Sergio about it years earlier.

Tonight we play the first of 3 performances of the concerto with the Rochester Philharmonic, Christopher Seamens conducting. To see if the concerto is coming to your neck of the woods, visit our website: http://www.lagq.com.


Update on the Hand Situation

I'm happy to say that my hand is improving. It has been almost 5 months since the nerve problem began, but finally, with some prescribed anti-inflammatory medication, a physical therapist and some chiropractic help, it is 90% better. The pain in the arm is gone, and some numbness remains in my fingers. At least I can play again!

One of the biggest tasks now is to regain my strength in my right arm. My triceps and forearm muscles have atrophied quite a bit. To give you an idea of how much, I can still easily press up a 20-30 lb. dumbell with my left triceps, but barely 8 lbs. with my right. This muscle will regenerate, however, so I'm not at all worried about that. But it does stay sore a lot. I won't bore you with details.

I haven't traveled or played concerts since this began, so this is the first touring I've done. I was nervous about it at first, but, as the symptoms started to shift, I gradually felt better about taking care of the problem while on the road. It's easy at home; I have all my little traction machine at home (thanks, Greg!), and have access to my therapist and chiropractor. But I've rigged up a travel traction device with a rope and towel, and hang it from a doorknob in the hotel room. This looks odd when I'm doing this, to say the least, and I triple check that the shades are drawn and the door latched before I begin. I can't imagine what a maid would think if she were to walk in and see me lying on the floor with my head in a sling.

I promise I'll do my best to keep this blog more up-to-date while I'm on the road. Lot's of great things to report!